Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis

The objective of this work is to present how gender and sexuality issues are present in the Coco dance in the group Oré Anacã’s repertoire, based on a choreographic analysis performed by physical education professionals with experience in dance. Research was done through semi-structured interviews f...

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Principais autores: Campos, Marcos Antônio Almeida, Magalhães, Patrick Anderson Martins, Veras, Luiz Fernando Souza
Formato: Online
Idioma:por
eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/28916
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spelling oai:periodicos.ufrn.br:article-289162022-12-02T02:44:43Z Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis Gênero e sexualidade na dança do Coco do Grupo Oré Anacã: uma análise coreográfica Campos, Marcos Antônio Almeida Magalhães, Patrick Anderson Martins Veras, Luiz Fernando Souza dance gender sexuality tradicional dances Coco dance dança gênero sexualidade danças tradicionais dança do Coco The objective of this work is to present how gender and sexuality issues are present in the Coco dance in the group Oré Anacã’s repertoire, based on a choreographic analysis performed by physical education professionals with experience in dance. Research was done through semi-structured interviews followed by an analysis of the transcripts and comparison with literature on the subject. The interviewees brought to the fore the fact that the choreography analyzed defines certain female and male roles, reinforcing gender stereotypes such as the image of  the man as the “stallion" with a woman fighting for him, always running after a pair of men; the presence of different sexualities in the choreography, such as bisexuality; and the way men portray women as caricatures and how the public embraces this representation. O objetivo deste trabalho é apresentar como as questões de gênero e sexualidade estão presentes na dança do Coco do Grupo Oré Anacã, a partir de uma análise coreográfica realizada por profissionais de Educação Física com experiência em dança. Foram realizadas entrevistas semiestruturadas e a análise se deu por meio dos discursos que emergiram durante as leituras das transcrições. Os resultados buscaram dialogar com a literatura analisada e com as compreensões e reflexões que foram suscitadas durante o processo. Os(As) entrevistados(as) trouxeram à tona o fato de que a coreografia analisada define certos papéis femininos e masculinos, reforçando estereótipos de gênero como a imagem de "garanhão" do homem e a mulher lutando por ele, sempre correndo atrás de um par; a presença de diferentes sexualidades nas coreografias, como a bissexualidade; e a forma como os homens retratam as mulheres em caricaturas e como o público a abraça. ABRACE / ANDA / ANPAP / ANPPOM 2022-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-rated Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/28916 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 2 (2022): Dossier “Insurgent Dramaturgies and Epistemologies in Dance”; Articles; Reviews ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 2 (2022): Dossiê “Dramaturgias e Epistemologias Insurgentes na Dança”; Artigos; Resenhas 2357-9978 10.36025/arj.v9i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/28916/16288 https://periodicos.ufrn.br/artresearchjournal/article/view/28916/16289 Copyright (c) 2022 Marcos Antônio Almeida Campos, Patrick Anderson Martins Magalhães, Luiz Fernando Souza Veras (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
eng
format Online
author Campos, Marcos Antônio Almeida
Magalhães, Patrick Anderson Martins
Veras, Luiz Fernando Souza
spellingShingle Campos, Marcos Antônio Almeida
Magalhães, Patrick Anderson Martins
Veras, Luiz Fernando Souza
Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
author_facet Campos, Marcos Antônio Almeida
Magalhães, Patrick Anderson Martins
Veras, Luiz Fernando Souza
author_sort Campos, Marcos Antônio Almeida
title Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
title_short Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
title_full Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
title_fullStr Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
title_full_unstemmed Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
title_sort gender and sexuality in the coco dance from group oré anacã: a choreographic analysis
description The objective of this work is to present how gender and sexuality issues are present in the Coco dance in the group Oré Anacã’s repertoire, based on a choreographic analysis performed by physical education professionals with experience in dance. Research was done through semi-structured interviews followed by an analysis of the transcripts and comparison with literature on the subject. The interviewees brought to the fore the fact that the choreography analyzed defines certain female and male roles, reinforcing gender stereotypes such as the image of  the man as the “stallion" with a woman fighting for him, always running after a pair of men; the presence of different sexualities in the choreography, such as bisexuality; and the way men portray women as caricatures and how the public embraces this representation.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/28916
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