Gender and Sexuality in the Coco Dance from Group Oré Anacã: A Choreographic Analysis
The objective of this work is to present how gender and sexuality issues are present in the Coco dance in the group Oré Anacã’s repertoire, based on a choreographic analysis performed by physical education professionals with experience in dance. Research was done through semi-structured interviews f...
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| Principais autores: | , , |
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| Formato: | Online |
| Idioma: | por eng |
| Publicado em: |
ABRACE / ANDA / ANPAP / ANPPOM
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| Endereço do item: | https://periodicos.ufrn.br/artresearchjournal/article/view/28916 |
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| Resumo: | The objective of this work is to present how gender and sexuality issues are present in the Coco dance in the group Oré Anacã’s repertoire, based on a choreographic analysis performed by physical education professionals with experience in dance. Research was done through semi-structured interviews followed by an analysis of the transcripts and comparison with literature on the subject. The interviewees brought to the fore the fact that the choreography analyzed defines certain female and male roles, reinforcing gender stereotypes such as the image of the man as the “stallion" with a woman fighting for him, always running after a pair of men; the presence of different sexualities in the choreography, such as bisexuality; and the way men portray women as caricatures and how the public embraces this representation. |
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