Mobilizing the concept of intersectionality in the light of the work of Lélia Gonzalez: three case studies in dance
The article aims to analyze the trajectory of three Brazilian black dance artists seeking to understand how the social markers of class, race and gender have operated in the constitution of their careers, favoring or disfavoring social and professional mobility. It presents a reading of the concept...
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| Principais autores: | , , , , , |
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| Formato: | Online |
| Idioma: | por eng |
| Publicado em: |
ABRACE / ANDA / ANPAP / ANPPOM
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| Endereço do item: | https://periodicos.ufrn.br/artresearchjournal/article/view/28902 |
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| Resumo: | The article aims to analyze the trajectory of three Brazilian black dance artists seeking to understand how the social markers of class, race and gender have operated in the constitution of their careers, favoring or disfavoring social and professional mobility. It presents a reading of the concept of intersectionality based on the work of the black intellectual Lelia Gonzalez, establishing relationships with dance research in search for a decolonial praxis. |
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