The text and the screens: a public reading of the play Ponto de Partida made on internet

With the pandemic, the theater reinvented itself, taking advantage of media resources and the internet to carry out innovative stage experiences. An adverse context has generated surprising research and results, which will certainly interfere with the theater we will do in the post-pandemic world. T...

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Autor principal: Pedra da Silva, Marco Antonio
Formato: Online
Idioma:por
Publicado em: Portal de Periódicos Eletrônicos da UFRN
Endereço do item:https://periodicos.ufrn.br/manzua/article/view/28759
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spelling oai:periodicos.ufrn.br:article-287592022-12-21T10:36:53Z The text and the screens: a public reading of the play Ponto de Partida made on internet O TEXTO E AS TELAS: UMA LEITURA DRAMÁTICA DA PEÇA PONTO DE PARTIDA FEITA PELA INTERNET Pedra da Silva, Marco Antonio With the pandemic, the theater reinvented itself, taking advantage of media resources and the internet to carry out innovative stage experiences. An adverse context has generated surprising research and results, which will certainly interfere with the theater we will do in the post-pandemic world. This article analyzes the experience of online production and presentation of a public reading of the text Ponto de Partida (1976), written by Gianfrancesco Guarnieri (1934-2006), within this context. Com a pandemia, o teatro se reinventou, aproveitando os recursos midiáticos e a internet para realizar experiências inovadoras de cena. Um contexto adverso gerou pesquisa e resultados surpreendentes, que irão, com certeza, interferir no teatro que faremos no mundo pós-pandemia. Este artigo analisa a experiência de produção e apresentação, de forma online, de uma leitura dramática do texto Ponto de Partida (1976), escrito por Gianfrancesco Guarnieri (1934-2006), dentro deste contexto. Portal de Periódicos Eletrônicos da UFRN 2022-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Narrativas sobre processos art´ísticos application/pdf https://periodicos.ufrn.br/manzua/article/view/28759 Manzuá: Revista de Pesquisa em Artes Cênicas; v. 5 n. 1 (2022): Outras Perspectivas: Processos de criação na cena da América Latina ; 19 2595-4024 10.21680/2595-4024.2022v5n1 por https://periodicos.ufrn.br/manzua/article/view/28759/16349 https://periodicos.ufrn.br/manzua/article/view/28759/16350 Copyright (c) 2022 Marco Antonio Pedra da Silva http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Pedra da Silva, Marco Antonio
spellingShingle Pedra da Silva, Marco Antonio
The text and the screens: a public reading of the play Ponto de Partida made on internet
author_facet Pedra da Silva, Marco Antonio
author_sort Pedra da Silva, Marco Antonio
title The text and the screens: a public reading of the play Ponto de Partida made on internet
title_short The text and the screens: a public reading of the play Ponto de Partida made on internet
title_full The text and the screens: a public reading of the play Ponto de Partida made on internet
title_fullStr The text and the screens: a public reading of the play Ponto de Partida made on internet
title_full_unstemmed The text and the screens: a public reading of the play Ponto de Partida made on internet
title_sort text and the screens: a public reading of the play ponto de partida made on internet
description With the pandemic, the theater reinvented itself, taking advantage of media resources and the internet to carry out innovative stage experiences. An adverse context has generated surprising research and results, which will certainly interfere with the theater we will do in the post-pandemic world. This article analyzes the experience of online production and presentation of a public reading of the text Ponto de Partida (1976), written by Gianfrancesco Guarnieri (1934-2006), within this context.
publisher Portal de Periódicos Eletrônicos da UFRN
publishDate 2022
url https://periodicos.ufrn.br/manzua/article/view/28759
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