Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing

Discussions on the theme of ballroom dancing have grown intensely, mainly in the observation of aspects such as conduction, power relations between peers and roles of lady and gentleman. This article proposes to reflect and highlight some proposals developed in the area that seek to break with the c...

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Principais autores: Nunes, Bruno Blois, Carvalho, Maitê Peres de
Formato: Online
Idioma:por
eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/28757
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spelling oai:periodicos.ufrn.br:article-287572022-12-29T05:09:06Z Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing Dama/Mulher, Cavalheiro/Homem: papéis e relações de gênero na dança de salão Nunes, Bruno Blois Carvalho, Maitê Peres de dança de salão condução identidade de gênero sexualidade cis-heteronormatividade ballroom dancing leading cisheteropatriarchy gender identity sexuality Discussions on the theme of ballroom dancing have grown intensely, mainly in the observation of aspects such as conduction, power relations between peers and roles of lady and gentleman. This article proposes to reflect and highlight some proposals developed in the area that seek to break with the current cisheteronormativity in ballroom dancing. Feminist studies linked to the debate about gender are presented, the concepts of "co-leading" proposed by Jonas Feitoza, "active lady" developed by Míriam Strack and "shared leading" by Carolina Polezi are discussed, and comments are made on the queer and gay milongas, as well as their influences in questioning the concepts of lady and gentleman. It is considered that the problematization of the relations between lady and gentleman, conductor and conducted is still incipient in its theory and little applied in the pedagogical practices of ballroom dancing. As discussões acerca da temática da dança de salão têm crescido de forma intensa principalmente na observação de aspectos como condução, relação de força entre os pares e papéis de dama e cavalheiro. Este artigo propõe refletir e evidenciar algumas propostas desenvolvidas na área que buscam romper com a cisheteronormatividade vigente na dança de salão. Apresenta-se os estudos feministas vinculados ao debate acerca de gênero, discute-se as concepções de “cocondução” proposta por Jonas Feitoza, “dama ativa” elaborada por Míriam Strack e “condução compartilhada” de Carolina Polezi e, comenta-se acerca das milongas queer e gays, bem como suas influências na problematização dos conceitos de dama e cavalheiro. Considera-se que a problematização das relações entre dama e cavalheiro, condutor e conduzido ainda é incipiente em sua teoria e pouco aplicado nas práticas pedagógicas de dança de salão. ABRACE / ANDA / ANPAP / ANPPOM 2022-12-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-rated Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/28757 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 2 (2022): Dossier “Insurgent Dramaturgies and Epistemologies in Dance”; Articles; Reviews ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 2 (2022): Dossiê “Dramaturgias e Epistemologias Insurgentes na Dança”; Artigos; Resenhas 2357-9978 10.36025/arj.v9i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/28757/16302 https://periodicos.ufrn.br/artresearchjournal/article/view/28757/16304 Copyright (c) 2022 Bruno Blois Nunes, Maitê Peres de Carvalho (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
eng
format Online
author Nunes, Bruno Blois
Carvalho, Maitê Peres de
spellingShingle Nunes, Bruno Blois
Carvalho, Maitê Peres de
Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing
author_facet Nunes, Bruno Blois
Carvalho, Maitê Peres de
author_sort Nunes, Bruno Blois
title Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing
title_short Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing
title_full Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing
title_fullStr Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing
title_full_unstemmed Lady/Woman, Gentleman/Man: gender roles and relations in ballroom dancing
title_sort lady/woman, gentleman/man: gender roles and relations in ballroom dancing
description Discussions on the theme of ballroom dancing have grown intensely, mainly in the observation of aspects such as conduction, power relations between peers and roles of lady and gentleman. This article proposes to reflect and highlight some proposals developed in the area that seek to break with the current cisheteronormativity in ballroom dancing. Feminist studies linked to the debate about gender are presented, the concepts of "co-leading" proposed by Jonas Feitoza, "active lady" developed by Míriam Strack and "shared leading" by Carolina Polezi are discussed, and comments are made on the queer and gay milongas, as well as their influences in questioning the concepts of lady and gentleman. It is considered that the problematization of the relations between lady and gentleman, conductor and conducted is still incipient in its theory and little applied in the pedagogical practices of ballroom dancing.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/28757
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AT carvalhomaiteperesde ladywomangentlemanmangenderrolesandrelationsinballroomdancing
AT nunesbrunoblois damamulhercavalheirohomempapeiserelacoesdegeneronadancadesalao
AT carvalhomaiteperesde damamulhercavalheirohomempapeiserelacoesdegeneronadancadesalao
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