Production of senses in a contemporary cartoon: a dialogical-discursive analysis
This paper discusses the word as a discursive and ideological phenomenon in social interactions. To reflect on this issue, we have as a general objective to carry out a theoretical na methodological discussions of the word under a discursive perspective, whose support is based on the assumptions of...
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| Principais autores: | , , |
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| Formato: | Online |
| Idioma: | por |
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UFRN
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| Endereço do item: | https://periodicos.ufrn.br/odisseia/article/view/25330 |
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| Resumo: | This paper discusses the word as a discursive and ideological phenomenon in social interactions. To reflect on this issue, we have as a general objective to carry out a theoretical na methodological discussions of the word under a discursive perspective, whose support is based on the assumptions of the Bakhtin (2006, 2008, 2019), Volóchinov (2017), Medviédev (2016) and adjacente, like Brait (2006, 2013), Faraco (2009) and others. The metodology of this research followed a qualitative approach os na interpretative nature (MINAYO, 2001; SILVEIRA & CÓRDOVA, 2009), based on the research proposal in line with the Dialogic Discourse Analysis, wich is supported by the postulates of Bakhtin Circle thinking. The analysis is based on a contemporany cartoon published in digital media by Jota Camelo. The results show that When taken into account the ideological meanings that surround the discursive production, the word takes on an amplitude that crosses structural boundaries and tchickens in the responsive character of the constituition of the subject of language. |
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