Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís

This work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by Josué Montello. With the focus on the role of the writer's library in the process of literary creation, we hope to reconstruct a way of reading that brings...

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Principais autores: Costa Cavalcante, José Dino, Borges Vieira, Mauro Cezar
Formato: Online
Idioma:por
Publicado em: UFRN
Endereço do item:https://periodicos.ufrn.br/odisseia/article/view/25263
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spelling oai:periodicos.ufrn.br:article-252632021-12-27T21:29:03Z Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís Josué Montello leitor de Stendhal: relações intertextuais entre O Vermelho e o Negro e Os Tambores de São Luís Costa Cavalcante, José Dino Borges Vieira, Mauro Cezar Josué Montello, Stendhal, intertextuality, writer's library Josué Montello, Stendhal, intertextualidade, biblioteca do escritor This work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by Josué Montello. With the focus on the role of the writer's library in the process of literary creation, we hope to reconstruct a way of reading that brings the Montello reader of Stendhal closer to the Montello writer. For this, we used the discussions about intertextuality in Samoyault (2008) and the writer's library in Lopez (2007), in addition to the critical apparatus of Montello (1973) and Oliveira (2007) and the marginalia collected in the library of Josué Montello in Stendhal (1939). As methodological procedures, after going through the theoretical questions about intertextuality in the writer's library, we will compare Montello's critical writings on the two works with an emphasis on the treatment of historical events that comprise them, in addition to analyzing the examples of Stendhal's work that appear in the Josué Montello's library. As a result, several points of convergence were found between aspects of the works that showed the influence of one on the other, making it clear that the process of literary creation uses different techniques to achieve its final result. Este trabalho tem como objetivo analisar as relações intertextuais existentes entre a obra O vermelho e o negro, de Stendhal, e Os tambores de São Luís, de Josué Montello. Com o foco não papel da biblioteca do escritor no processo de criação literária, esperamos reconstruir um caminho de leitura que aproxime o Montello leitor de Stendhal do Montello escritor. Para isso, nos utilizamos das discussões acerca da intertextualidade em Samoyault (2008) e da biblioteca do escritor em Lopez (2007), além do aparato crítico de Montello (1973) e Oliveira (2007) e da marginália recolhida na biblioteca de Josué Montello em Stendhal (1939). Como procedimentos metodológicos, após perpassar as questões teóricas sobre a intertextualidade na biblioteca do escritor, iremos comparar escritos críticos de Montello sobre as duas obras com ênfase no tratamento dos eventos históricos que as compõem, além de analisarmos os exemplares da obra de Stendhal que figuram na biblioteca de Josué Montello. Como resultado, foram encontrados diversos pontos de convergência entre aspectos das obras que evidenciaram a influência de uma na outra, deixando claro que o processo de criação literária se utiliza de diversas técnicas para concretizar seu resultado final. UFRN 2021-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/25263 Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 71-90 Revue Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 71-90 Revista Odisseia; v. 6 n. 2 (2021): Revista Odisseia; 71-90 1983-2435 10.21680/1983-2435.2021v6n2 por https://periodicos.ufrn.br/odisseia/article/view/25263/15105 Copyright (c) 2021 Revista Odisseia
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Costa Cavalcante, José Dino
Borges Vieira, Mauro Cezar
spellingShingle Costa Cavalcante, José Dino
Borges Vieira, Mauro Cezar
Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
author_facet Costa Cavalcante, José Dino
Borges Vieira, Mauro Cezar
author_sort Costa Cavalcante, José Dino
title Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_short Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_full Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_fullStr Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_full_unstemmed Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_sort josué montello reader of stendhal: intertextual relations between o vermelho e o negro and os tambores de são luís
description This work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by Josué Montello. With the focus on the role of the writer's library in the process of literary creation, we hope to reconstruct a way of reading that brings the Montello reader of Stendhal closer to the Montello writer. For this, we used the discussions about intertextuality in Samoyault (2008) and the writer's library in Lopez (2007), in addition to the critical apparatus of Montello (1973) and Oliveira (2007) and the marginalia collected in the library of Josué Montello in Stendhal (1939). As methodological procedures, after going through the theoretical questions about intertextuality in the writer's library, we will compare Montello's critical writings on the two works with an emphasis on the treatment of historical events that comprise them, in addition to analyzing the examples of Stendhal's work that appear in the Josué Montello's library. As a result, several points of convergence were found between aspects of the works that showed the influence of one on the other, making it clear that the process of literary creation uses different techniques to achieve its final result.
publisher UFRN
publishDate 2021
url https://periodicos.ufrn.br/odisseia/article/view/25263
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