THE THE VIRTUAL CONTEMPORARY CABINETS OF WONDER
The Covid-10 pandemic caused the ban on autonomous electronic music events in the city of São Paulo in 2020, in order to affect the performance manifestation in this physical environment. As a solution, such artists sought in virtual platforms a possible space to express their art, but not always aw...
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| Formato: | Online |
| Idioma: | por |
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Portal de Periódicos Eletrônicos da UFRN
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| Endereço do item: | https://periodicos.ufrn.br/manzua/article/view/24100 |
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| Resumo: | The Covid-10 pandemic caused the ban on autonomous electronic music events in the city of São Paulo in 2020, in order to affect the performance manifestation in this physical environment. As a solution, such artists sought in virtual platforms a possible space to express their art, but not always aware of the new conditions that this medium offers. This article draws the readers' attention to reflections on the effects of the pandemic on their bodies and performance. From observation and criticism, the researcher seeks to understand the functioning and effects of this migration and how aesthetic noises are constructed virtually. The enclosure and immanence are found in the same virtual environment, exposed and under new risks that involve the domain of the environment. |
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