FROM LISTENING RESEARCH TO PERFORMATIVE SCENE
In this article, the artist-researcher makes use of presenting confabulation to conduct the Listening Research (NUNES, 2020d), being a theoretical-practical journey that takes place in the field, in the context of otherness, whose purpose is to uncover Narratives, Myths, Legends, Songs and/or Oral H...
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| Formato: | Online |
| Idioma: | por |
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Portal de Periódicos Eletrônicos da UFRN
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| Endereço do item: | https://periodicos.ufrn.br/manzua/article/view/24003 |
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| Resumo: | In this article, the artist-researcher makes use of presenting confabulation to conduct the Listening Research (NUNES, 2020d), being a theoretical-practical journey that takes place in the field, in the context of otherness, whose purpose is to uncover Narratives, Myths, Legends, Songs and/or Oral Histories of individuals who have been placed on the margins of oblivion. Thus breaking the silences of subordinated subjects. The contents read while relevant were documented in the Memories Notebook, which is recognized as a logbook, and, finally, studied, to then be butchered, gaining voice and body in the field of the Performing Arts, transforming itself founding motives of theoretical studies and practical actions. |
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