Uneven roads, real talk: the centrality of favela literature
ABSTRACT: This article is about the paradigmatic Festa Literária das Periferias (FLUP) in Rio de Janeiro and its prolific production of new authors including own empiric material based on a multi-sited ethnography covering the nine years of the festival by suggesting the two leitmotifs “abraço colet...
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oai:periodicos.ufrn.br:article-235632020-12-28T20:36:55Z Uneven roads, real talk: the centrality of favela literature Vias tortas, papo reto: a centralidade da literatura da favela Rial y Costas, Gundo Chiappini, Lígia Literature. Favela. FLUP. Canon. Novel. Literatura. Favela. FLUP. Cânone. Romance. ABSTRACT: This article is about the paradigmatic Festa Literária das Periferias (FLUP) in Rio de Janeiro and its prolific production of new authors including own empiric material based on a multi-sited ethnography covering the nine years of the festival by suggesting the two leitmotifs “abraço coletivo” (collective hug) and “papo reto” (real talk). By doing this, we contemplate the role of cultural mediators and ask for the centrality of favela literature by presenting, analyzing and emphasizing its values. Thus we chose three novels (Só por hoje by Julio Ludemir 2012; Cidade de Deus Z by Julio Pecly 2015 and A número um by Raquel de Oliveira 2015) from or linked to FLUP for a philologic and cultural reading of their texts. Finally, we raise again the question about aesthetic values in relation to favela literature, which may open new paths to this research. KEYWORDS: Literature. Favela. FLUP. Canon. Novel. RESUMO: Este artigo aborda a paradigmática Festa Literária das Periferias (FLUP) no Rio de Janeiro e a sua prolífica produção de novos autores, incluindo material empírico próprio, baseado numa etnografia multi-situada de nove anos da festa com os dois leitmotiv: o “abraço coletivo” e o “papo reto”. Assim, contempla-se o papel dos mediadores culturais, ao indagar pela centralidade da literatura da favela, apresentando, analisando e destacando seus valores. Para isso, escolhemos três romances, (Só por hoje, de Julio Ludemir, 2012; Cidade de Deus Z, de Julio Pecly, 2015; e A número um, de Raquel de Oliveira, 2015) surgidos na ou ligados à FLUP para uma leitura filológica e cultural. No final, explicitam-se algumas questões sobre a dimensão estética e os valores em jogo nessa nova literatura, questões polêmicas que podem abrir novos caminhos para esta pesquisa. UFRN 2020-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/23563 Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 36-63 Revue Odisseia; Vol. 5 No. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 36-63 Revista Odisseia; v. 5 n. Especial (2020): Subsídios teóricos e críticos para a historiografia da literatura brasileira do século XXI; 36-63 1983-2435 10.21680/1983-2435.2020v5nEspecial por https://periodicos.ufrn.br/odisseia/article/view/23563/13570 Copyright (c) 2020 Revista Odisseia |
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Rial y Costas, Gundo Chiappini, Lígia |
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Rial y Costas, Gundo Chiappini, Lígia Uneven roads, real talk: the centrality of favela literature |
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Rial y Costas, Gundo Chiappini, Lígia |
author_sort |
Rial y Costas, Gundo |
title |
Uneven roads, real talk: the centrality of favela literature |
title_short |
Uneven roads, real talk: the centrality of favela literature |
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Uneven roads, real talk: the centrality of favela literature |
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Uneven roads, real talk: the centrality of favela literature |
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Uneven roads, real talk: the centrality of favela literature |
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uneven roads, real talk: the centrality of favela literature |
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ABSTRACT: This article is about the paradigmatic Festa Literária das Periferias (FLUP) in Rio de Janeiro and its prolific production of new authors including own empiric material based on a multi-sited ethnography covering the nine years of the festival by suggesting the two leitmotifs “abraço coletivo” (collective hug) and “papo reto” (real talk). By doing this, we contemplate the role of cultural mediators and ask for the centrality of favela literature by presenting, analyzing and emphasizing its values. Thus we chose three novels (Só por hoje by Julio Ludemir 2012; Cidade de Deus Z by Julio Pecly 2015 and A número um by Raquel de Oliveira 2015) from or linked to FLUP for a philologic and cultural reading of their texts. Finally, we raise again the question about aesthetic values in relation to favela literature, which may open new paths to this research.
KEYWORDS: Literature. Favela. FLUP. Canon. Novel. |
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UFRN |
publishDate |
2020 |
url |
https://periodicos.ufrn.br/odisseia/article/view/23563 |
work_keys_str_mv |
AT rialycostasgundo unevenroadsrealtalkthecentralityoffavelaliterature AT chiappiniligia unevenroadsrealtalkthecentralityoffavelaliterature AT rialycostasgundo viastortaspaporetoacentralidadedaliteraturadafavela AT chiappiniligia viastortaspaporetoacentralidadedaliteraturadafavela |
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1766682449072357376 |