Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story

This article aims to identify elements of violence and eschatology in the tales of Dalton Trevisan, João Antônio and Rubem Fonseca as specific terms that stem from the industrialization process of the post-war and the subsequent implementation of the military dictatorship in the country. In this sen...

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Autor principal: Junior, Valdemar Valente
Formato: Online
Idioma:por
Publicado em: UFRN
Endereço do item:https://periodicos.ufrn.br/odisseia/article/view/21507
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spelling oai:periodicos.ufrn.br:article-215072020-08-04T01:00:34Z Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story Dalton Trevisan, João Antônio e Rubem Fonseca: expressões de violência e escatologia no conto brasileiro Junior, Valdemar Valente Brazilian narrative Violence Eschatology Narrativa brasileira Violência Escatologia This article aims to identify elements of violence and eschatology in the tales of Dalton Trevisan, João Antônio and Rubem Fonseca as specific terms that stem from the industrialization process of the post-war and the subsequent implementation of the military dictatorship in the country. In this sense, the lack of control that occurs due to urban growth contributes to the various manifestations of misdemeanor and criminality to expand in an unimaginable dimension. This enables the stories chosen for the purpose of this article to function as representations that identify a universe of disorder, sadism, and violence. Thus, A velha querida, by Dalton Trevisan, Leão-de-chácara, by João Antônio, and Feliz Ano Novo, by Rubem Fonseca, can function as excerpts from the eschatology that seeks to confront the political system and identify its deviations as the only tool available to these writers. Este artigo tem por objetivo identificar elementos da violência e da escatologia nos contos de Dalton Trevisan, João Antônio e Rubem Fonseca como termos específicos que decorrem do processo de industrialização do pós-guerra e da sequente implantação da ditadura militar no país. Nesse sentido, o descontrole que se verifica em razão do crescimento urbano contribui para que as várias manifestações da contravenção e da criminalidade se ampliem em dimensão inimaginável. Isso habilita os contos escolhidos para efeito deste artigo a funcionarem como representações que identificam um universo da desordem, do sadismo e violência. Assim, A velha querida, de Dalton Trevisan, Leão-de-chácara, de João Antônio, e Feliz Ano Novo, de Rubem Fonseca, podem funcionar como recortes da escatologia que busca afrontar o sistema político e identificar seus descaminhos como única ferramenta à disposição desses escritores. UFRN 2020-07-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/21507 Odisseia; Vol. 5 No. 2 (2020); p. 1 - 17 Revue Odisseia; Vol. 5 No. 2 (2020); p. 1 - 17 Revista Odisseia; v. 5 n. 2 (2020); p. 1 - 17 1983-2435 10.21680/1983-2435.2020v5n2 por https://periodicos.ufrn.br/odisseia/article/view/21507/13081 Copyright (c) 2020 Revista Odisseia
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Junior, Valdemar Valente
spellingShingle Junior, Valdemar Valente
Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story
author_facet Junior, Valdemar Valente
author_sort Junior, Valdemar Valente
title Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story
title_short Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story
title_full Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story
title_fullStr Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story
title_full_unstemmed Dalton Trevisan, João Antônio and Rubem Fonseca: expressions of violence and eschatology in the Brazilian short story
title_sort dalton trevisan, joão antônio and rubem fonseca: expressions of violence and eschatology in the brazilian short story
description This article aims to identify elements of violence and eschatology in the tales of Dalton Trevisan, João Antônio and Rubem Fonseca as specific terms that stem from the industrialization process of the post-war and the subsequent implementation of the military dictatorship in the country. In this sense, the lack of control that occurs due to urban growth contributes to the various manifestations of misdemeanor and criminality to expand in an unimaginable dimension. This enables the stories chosen for the purpose of this article to function as representations that identify a universe of disorder, sadism, and violence. Thus, A velha querida, by Dalton Trevisan, Leão-de-chácara, by João Antônio, and Feliz Ano Novo, by Rubem Fonseca, can function as excerpts from the eschatology that seeks to confront the political system and identify its deviations as the only tool available to these writers.
publisher UFRN
publishDate 2020
url https://periodicos.ufrn.br/odisseia/article/view/21507
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