Addressed, with fire, from the end of the world: fountain of memory and ink on the walls of Ushuaia and Río Grande, Argentina
This visual essay proposes itself as a dialogue between indexes of Argentine memory by taking certain walls as evocative announcements. It pays attention to a set of artistic and cultural manifestations (DIOGENES, 2020) as part of a field of language and visibility related to the appropriation of pu...
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Formato: | Online |
Idioma: | por |
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Portal de Periódicos Eletrônicos da UFRN
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Endereço do item: | https://periodicos.ufrn.br/equatorial/article/view/21479 |
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Resumo: | This visual essay proposes itself as a dialogue between indexes of Argentine memory by taking certain walls as evocative announcements. It pays attention to a set of artistic and cultural manifestations (DIOGENES, 2020) as part of a field of language and visibility related to the appropriation of public space (CAMPOS, 2012). It resulted from a research process that became entangled with an index of common significance (BOSI, 2012) with the very course of this essay: approaching places and a discussion about memory. |
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