To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property

It is in the light of the theory of property that two types of practices recently appeared in art are analyzed here: gift and appropriation. Oppose to each other (on the one hand, to dispossess myself of my own production for the benefit of another, on the other, to give oneself what we do not posse...

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Autor principal: Brogowski, Leszek
Formato: Online
Idioma:por
fra
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/17850
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id oai:periodicos.ufrn.br:article-17850
record_format ojs
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
fra
format Online
author Brogowski, Leszek
spellingShingle Brogowski, Leszek
To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property
author_facet Brogowski, Leszek
author_sort Brogowski, Leszek
title To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property
title_short To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property
title_full To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property
title_fullStr To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property
title_full_unstemmed To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property
title_sort to give what one does not possess through republishing: inventing new uses and enjoyments. gift and appropriation in art in the light of the theory of property
description It is in the light of the theory of property that two types of practices recently appeared in art are analyzed here: gift and appropriation. Oppose to each other (on the one hand, to dispossess myself of my own production for the benefit of another, on the other, to give oneself what we do not possess), these two phenomena are part of the same project of art, and if so, how to articulate their coherence? Do they involve the same artists or are there, on the one hand, “appropriationists” and, on the other, those who make donations? Do these two artists' gestures have a political aim in relation to the question of property, or do they exhaust themselves in their exclusively artistic sense as strategies of creation? It is finally in certain types of pirate and generous republishing that the two movements are united in one and the same project.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2019
url https://periodicos.ufrn.br/artresearchjournal/article/view/17850
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spelling oai:periodicos.ufrn.br:article-178502021-09-19T23:44:17Z To give what one does not possess through republishing: inventing new uses and enjoyments. Gift and appropriation in art in the light of the theory of property Donner ce qu’on n’a pas dans la réédition : inventer de nouveaux espaces de jouissance. Don et appropriation dans l’art à la lumière de la théorie de la propriété Dar o que não se possui na reedição: inventar novos espaços de uso. Doação e apropriação na arte à luz da teoria da propriedade Brogowski, Leszek gift appropriation artists publications contemporary art theory of the property pirate republishing doação apropriação publicações de artistas arte contemporânea teoria da propriedade reedição pirata don appropriation publications d'artistes art contemporain théorie de la propriété réédition pirate It is in the light of the theory of property that two types of practices recently appeared in art are analyzed here: gift and appropriation. Oppose to each other (on the one hand, to dispossess myself of my own production for the benefit of another, on the other, to give oneself what we do not possess), these two phenomena are part of the same project of art, and if so, how to articulate their coherence? Do they involve the same artists or are there, on the one hand, “appropriationists” and, on the other, those who make donations? Do these two artists' gestures have a political aim in relation to the question of property, or do they exhaust themselves in their exclusively artistic sense as strategies of creation? It is finally in certain types of pirate and generous republishing that the two movements are united in one and the same project. C’est à la lumière de la théorie de la propriété que sont analysées ici deux types de pratiques récemment apparus dans l’art : le don et l’appropriation. Opposés l’un à l’autre (d’un côté, se déposséder de ma propre production au profit d’un autre, de l’autre, se donner à soi-même ce qu’on n’a pas), ces deux phénomènes font-ils partie d’un même projet de l’art, et si oui, comment en articuler la cohérence ? Impliquent-ils les mêmes artistes ou, au contraire, y a-t-il, d’un côté les « appropriationnistes », et, de l’autre, ceux qui font des dons ? Ces deux gestes d’artistes ont-ils une visée politique par rapport à la question de la propriété, ou bien s’épuisent-ils dans leur sens exclusivement artistique comme des stratégies de création ? C’est finalement dans certains types de rééditions pirates et généreuses que les deux mouvements se trouvent réunis dans un seul et même projet. É à luz da teoria da propriedade que são analisadas aqui dois tipos de práticas recentemente surgidas na arte: a doação e a apropriação. Opostas uma à outra (de um lado se despossuir de minha própria produção em proveito de um outro, do outro, dar a si mesmo isso que não se possui), estes dois fenômenos fazem parte de um mesmo projeto da arte, e se sim, como articular sua coerência? Eles implicam os mesmos artistas ou, ao contrário, haveria de um lado os “apropriacionistas”, e do outro, aqueles que fazem doações? Estes dois gestos de artistas tem uma visada política em relação à questão da propriedade, ou apenas se esgotam em seu sentido exclusivamente artístico como estratégias de criação? É finalmente em certos tipos de reedições piratas e generosas que os dois movimentos se encontram reunidos em um só e mesmo projeto. Tradução: Lilian Hack (https://orcid.org/0000-0002-4727-3845)   ABRACE / ANDA / ANPAP / ANPPOM 2019-06-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/17850 Art Research Journal: Revista de Pesquisa em Artes; Vol. 5 No. 2 (2018): Multidisciplinary Perspectives in the Field of Art | Articles ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 5 n. 2 (2018): Perspectivas Multidisciplinares no Campo da Arte | Artigos 2357-9978 10.36025/arj.v5i2 por fra https://periodicos.ufrn.br/artresearchjournal/article/view/17850/11873 https://periodicos.ufrn.br/artresearchjournal/article/view/17850/11751 Copyright (c) 2019 Leszek Brogowski (Autor)

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