O som e a carícia: proposta para uma história do canto enquanto prazer na Igreja do Ocidente medieval (séculos IX A XII)
This article turns to the relationship between music and the body and between music and the space in the medieval period. It is suggested here the outline for a history research project that addresses the medieval liturgical chant - the plainchant – as, at the same time, product and producer of the...
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| Formato: | Online |
| Idioma: | por |
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Portal de Periódicos Eletrônicos da UFRN
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| Endereço do item: | https://periodicos.ufrn.br/espacialidades/article/view/17756 |
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| Resumo: | This article turns to the relationship between music and the body and between music and the space in the medieval period. It is suggested here the outline for a history research project that addresses the medieval liturgical chant - the plainchant – as, at the same time, product and producer of the double relation of man to the sacred and the man with the body. To do so, it elects a few moments in the unfolding of Christian musical production of the medieval west, concentrating its approach between centuries IX and XI. This time-space cutting has enabled the emergence of questions about the presence of aesthetic pleasure in the territory of senses’ prohibition that was intended to be the Church. |
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