"Partita 3" for solo cello: performance process after notes on energy flow
The article presents the process of constructing the performance of a piece of music to be premiered after the dialogues between the composer and the performer, from the most prosaic to the most elaborated conceptually. The main issue to be explored is the concept of 'energy flow', w...
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oai:periodicos.ufrn.br:article-176902021-09-19T23:43:00Z "Partita 3" for solo cello: performance process after notes on energy flow "Partita 3", para violoncelo solo: preparação de performance depois das notas sobre o fluxo de energia Ferraz, Silvio Teixeira, William Collaborative creation Creative practice Musical performance Musical composition Contemporary music Criação colaborativa Processos criativos Performance musical Composição musical Música contemporânea The article presents the process of constructing the performance of a piece of music to be premiered after the dialogues between the composer and the performer, from the most prosaic to the most elaborated conceptually. The main issue to be explored is the concept of 'energy flow', which permeates the whole discussion. The concept is conceptualized by the French philosopher Gilbert Simondon and achieves applicability as a mediation between the compositional act and the interpretative act, functioning as a framework that fades from linguistic referentiality or quasi-romantic subjectivism. In this way, it intends to present the concept in operation, besides presenting an anatomy of the piece itself, that crosses the compositional thinking and the thinking involved in its performance, offering a deeply collaborative analytical approach. O artigo relata o processo de construção da performance de uma peça em vias de ser estreada a partir dos diálogos entre o compositor e o instrumentista, dos mais prosaicos aos mais elaborados conceitualmente. A principal questão a ser explorada é o conceito de ‘fluxo de energia’, que permeia toda a discussão. O conceito parte de sua concepção pelo filósofo francês Gilbert Simondon e alcança aplicabilidades enquanto mediação entre o ato composicional e o ato interpretativo, funcionando como um arcabouço que fuja de referencialidades linguísticas ou subjetivismos quasi-românticos. Desse modo, pretende-se apresentar o conceito em funcionamento, além de apresentar uma anatomia da peça em si, que perpassa o pensamento composicional e o pensamento envolvido em sua performance, oferecendo uma abordagem analítica profundamente colaborativa. ABRACE / ANDA / ANPAP / ANPPOM 2019-12-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/17690 Art Research Journal: Revista de Pesquisa em Artes; Vol. 6 No. 2 (2019): Multidisciplinary Perspectives in the Field of Art | Articles | Reviews ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 6 n. 2 (2019): Perspectivas Multidisciplinares no Campo da Arte | Artigos | Resenhas 2357-9978 10.36025/arj.v6i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/17690/12293 https://periodicos.ufrn.br/artresearchjournal/article/view/17690/12295 https://periodicos.ufrn.br/artresearchjournal/article/view/17690/12294 https://periodicos.ufrn.br/artresearchjournal/article/view/17690/12760 https://periodicos.ufrn.br/artresearchjournal/article/view/17690/12757 Copyright (c) 2019 Silvio Ferraz, William Teixeira (Autor) |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
por eng |
| format |
Online |
| author |
Ferraz, Silvio Teixeira, William |
| spellingShingle |
Ferraz, Silvio Teixeira, William "Partita 3" for solo cello: performance process after notes on energy flow |
| author_facet |
Ferraz, Silvio Teixeira, William |
| author_sort |
Ferraz, Silvio |
| title |
"Partita 3" for solo cello: performance process after notes on energy flow |
| title_short |
"Partita 3" for solo cello: performance process after notes on energy flow |
| title_full |
"Partita 3" for solo cello: performance process after notes on energy flow |
| title_fullStr |
"Partita 3" for solo cello: performance process after notes on energy flow |
| title_full_unstemmed |
"Partita 3" for solo cello: performance process after notes on energy flow |
| title_sort |
"partita 3" for solo cello: performance process after notes on energy flow |
| description |
The article presents the process of constructing the performance of a piece of music to be premiered after the dialogues between the composer and the performer, from the most prosaic to the most elaborated conceptually. The main issue to be explored is the concept of 'energy flow', which permeates the whole discussion. The concept is conceptualized by the French philosopher Gilbert Simondon and achieves applicability as a mediation between the compositional act and the interpretative act, functioning as a framework that fades from linguistic referentiality or quasi-romantic subjectivism. In this way, it intends to present the concept in operation, besides presenting an anatomy of the piece itself, that crosses the compositional thinking and the thinking involved in its performance, offering a deeply collaborative analytical approach.
|
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2019 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/17690 |
| work_keys_str_mv |
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| _version_ |
1766683056556474368 |