Scores os irreconcilable temporality
The work with scores of irreconcilable temporality investigates artistic productions that correlates music and painting, the principles of daily and fragmentary from the shape-score. The subject of shape-score appears as a concept that enables the relationship, offering an interface between sonoriti...
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| Endereço do item: | https://periodicos.ufrn.br/artresearchjournal/article/view/17279 |
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oai:periodicos.ufrn.br:article-172792021-09-19T23:43:00Z Scores os irreconcilable temporality Partituras de temporalidades inconciliáveis Carneiro, Isabel Almeida Visual arts Fragment Sonority Visuality Score Artes visuais Fragmento Sonoridade Visualidade Partitura The work with scores of irreconcilable temporality investigates artistic productions that correlates music and painting, the principles of daily and fragmentary from the shape-score. The subject of shape-score appears as a concept that enables the relationship, offering an interface between sonorities and visualities. In this notion of shape-score the article try to establish the idea of situationist deriva with Guy Debord’s proposal to disarticulate the continuous flow of the city, as well as to elaborate a new cartography using the physical territories, making analogy with the musical compass. Each territory mapped by the Naked City consists of the overlapping of several sound layers from 1957 to 2014. From the map, the author established new derivas in 2014 and expanded the notion of map by understanding it as a score in the expanded sense. The idea of cartography is the musical apprehension of the city: to map, to create territories where the sonority can exist. Este trabalho investiga produções artísticas que relacionem música e pintura, a noção de fragmento e diário a partir da forma-partitura. A questão da forma-partitura aparece como conceito que possibilita a relação entre música e pintura, pois oferece uma forma de anteparo entre visualidades e sonoridades. Nesta noção de forma-partitura, tenta-se estabelecer a ideia de deriva situacionista com a proposta de Guy Debord de desarticular o fluxo contínuo da cidade, assim como elaborar uma nova cartografia utilizando os territórios físicos, fazendo analogia com os compassos musicais. Cada território traçado pelo mapa Naked City é constituído da sobreposição de várias camadas sonoras de 1957 a 2014. A partir do mapa, a autora estabelece novas derivas em 2014 e amplia a noção de mapa, entendendo-o como uma partitura no sentido expandido. A ideia da cartografia é a apreensão musical da cidade: mapear, criar territórios onde a sonoridade possa existir. ABRACE / ANDA / ANPAP / ANPPOM 2020-05-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/17279 Art Research Journal: Revista de Pesquisa em Artes; Vol. 6 No. 2 (2019): Multidisciplinary Perspectives in the Field of Art | Articles | Reviews ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 6 n. 2 (2019): Perspectivas Multidisciplinares no Campo da Arte | Artigos | Resenhas 2357-9978 10.36025/arj.v6i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/17279/12782 https://periodicos.ufrn.br/artresearchjournal/article/view/17279/12798 Copyright (c) 2019 Isabel Almeida Carneiro (Autor) |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
por eng |
| format |
Online |
| author |
Carneiro, Isabel Almeida |
| spellingShingle |
Carneiro, Isabel Almeida Scores os irreconcilable temporality |
| author_facet |
Carneiro, Isabel Almeida |
| author_sort |
Carneiro, Isabel Almeida |
| title |
Scores os irreconcilable temporality |
| title_short |
Scores os irreconcilable temporality |
| title_full |
Scores os irreconcilable temporality |
| title_fullStr |
Scores os irreconcilable temporality |
| title_full_unstemmed |
Scores os irreconcilable temporality |
| title_sort |
scores os irreconcilable temporality |
| description |
The work with scores of irreconcilable temporality investigates artistic productions that correlates music and painting, the principles of daily and fragmentary from the shape-score. The subject of shape-score appears as a concept that enables the relationship, offering an interface between sonorities and visualities. In this notion of shape-score the article try to establish the idea of situationist deriva with Guy Debord’s proposal to disarticulate the continuous flow of the city, as well as to elaborate a new cartography using the physical territories, making analogy with the musical compass. Each territory mapped by the Naked City consists of the overlapping of several sound layers from 1957 to 2014. From the map, the author established new derivas in 2014 and expanded the notion of map by understanding it as a score in the expanded sense. The idea of cartography is the musical apprehension of the city: to map, to create territories where the sonority can exist. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2020 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/17279 |
| work_keys_str_mv |
AT carneiroisabelalmeida scoresosirreconcilabletemporality AT carneiroisabelalmeida partiturasdetemporalidadesinconciliaveis |
| _version_ |
1766683053820739584 |