A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro

In the wake of the debates on racial prejudice, three (self) narratives are presented here as reading possibility in the literary field. For this exercise, the following works were considered: Ruth de Souza: estrela negra (JESUS, 2007), Zezé Motta: muito prazer (MURAT, 2005) and Na minha pele (RAMOS...

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Autor principal: Nogueira Rodrigues, Samanta Samira
Formato: Online
Idioma:por
Publicado em: Portal de Periódicos Eletrônicos da UFRN
Endereço do item:https://periodicos.ufrn.br/gelne/article/view/15808
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spelling oai:periodicos.ufrn.br:article-158082019-10-07T20:16:42Z A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro Nogueira Rodrigues, Samanta Samira In the wake of the debates on racial prejudice, three (self) narratives are presented here as reading possibility in the literary field. For this exercise, the following works were considered: Ruth de Souza: estrela negra (JESUS, 2007), Zezé Motta: muito prazer (MURAT, 2005) and Na minha pele (RAMOS, 2017), which contain the reports of the two actresses who lend their names to the two first books and the actor Lázaro Ramos, respectively. There is in these stories a common feature that, as we shall see, permeates the line between fiction - work field of the subjects presented here -, and reality: the black skin color, element considered during the construction of the characters. The possibility of this reading in literary studies is anchored here in the ideas of Arfuch (2010), Benjamin (1994), Bourdieu (2006), Evaristo (2017), Lejeune (2014) and Lima (2013, 2014). The temporal distance between the beginning of the careers of the actresses and the actor indicates some attempt of change in the roles that are given to them, however, not without less effort, both to act and to continue the work, given that the reception of the public to certain roles remains a space for negotiation. If, on the one hand, the reports on the lived experiences fulfill the role of individualizing them, differentiating them by their trajectories, on the other hand, the racial adjectival always and constantly attributed to them intersects their histories, indicating an equally constant movement of negotiation of transits and stays in fictional spaces, often questioned in their resemblance to reality, in the case, to what it is attributed by others' readings about the black skin color. Na esteira dos debates sobre preconceitos raciais, três (auto)narrativas são apresentadas aqui como uma possibilidade de leitura no campo literário. Para esse exercício, foram utilizadas as obras Ruth de Souza: estrela negra (JESUS, 2007), Zezé Motta: muito prazer (MURAT, 2005) e Na minha pele (RAMOS, 2017), que contém os relatos das duas atrizes que dão nome aos livros e do ator Lázaro Ramos. Há nessas histórias uma marca em comum que, como veremos, perpassa a linha entre a ficção - campo de trabalho dos sujeitos aqui apresentados -, e a realidade: a cor da pele preta, elemento considerado durante a configuração das personagens. A possibilidade dessa leitura nos estudos literários é aqui ancorada nas ideias de Arfuch (2010), Benjamin (1994), Bourdieu (2006), Evaristo (2017), Lejeune (2014) e Lima (2013, 2014). A distância temporal entre o início das carreiras das atrizes e do ator indica alguma tentativa de mudança nas representações que lhe são conferidas, entretanto, não sem menos esforço, tanto para atuar, quanto para continuar o trabalho, tendo em vista que a recepção do público a determinados papéis continua a ser um espaço de negociação. Se por um lado os relatos sobre as experiências vividas cumprem o papel de os individualizar, diferenciando-os por suas trajetórias, por outro, a adjetivação racial a elas e a eles sempre e constantemente atribuída, entrecruza suas histórias, indicando um movimento igualmente constante de negociação de trânsitos e permanências em espaços de ficção, muitas vezes questionado em sua semelhança com a realidade, no caso, pelo que é atribuído por leituras de outrem sobre a cor da pele preta. Portal de Periódicos Eletrônicos da UFRN 2019-06-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares application/pdf https://periodicos.ufrn.br/gelne/article/view/15808 Revista do GELNE; v. 21 n. 1 (2019); 137-153 2236-0883 10.21680/1517-7874.2019v21n1 por https://periodicos.ufrn.br/gelne/article/view/15808/11735 Copyright (c) 2019 Revista do GELNE
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Nogueira Rodrigues, Samanta Samira
spellingShingle Nogueira Rodrigues, Samanta Samira
A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro
author_facet Nogueira Rodrigues, Samanta Samira
author_sort Nogueira Rodrigues, Samanta Samira
title A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro
title_short A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro
title_full A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro
title_fullStr A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro
title_full_unstemmed A pele que habitamos: as (auto)narrativas de Ruth, Zezé e Lázaro
title_sort pele que habitamos: as (auto)narrativas de ruth, zezé e lázaro
description In the wake of the debates on racial prejudice, three (self) narratives are presented here as reading possibility in the literary field. For this exercise, the following works were considered: Ruth de Souza: estrela negra (JESUS, 2007), Zezé Motta: muito prazer (MURAT, 2005) and Na minha pele (RAMOS, 2017), which contain the reports of the two actresses who lend their names to the two first books and the actor Lázaro Ramos, respectively. There is in these stories a common feature that, as we shall see, permeates the line between fiction - work field of the subjects presented here -, and reality: the black skin color, element considered during the construction of the characters. The possibility of this reading in literary studies is anchored here in the ideas of Arfuch (2010), Benjamin (1994), Bourdieu (2006), Evaristo (2017), Lejeune (2014) and Lima (2013, 2014). The temporal distance between the beginning of the careers of the actresses and the actor indicates some attempt of change in the roles that are given to them, however, not without less effort, both to act and to continue the work, given that the reception of the public to certain roles remains a space for negotiation. If, on the one hand, the reports on the lived experiences fulfill the role of individualizing them, differentiating them by their trajectories, on the other hand, the racial adjectival always and constantly attributed to them intersects their histories, indicating an equally constant movement of negotiation of transits and stays in fictional spaces, often questioned in their resemblance to reality, in the case, to what it is attributed by others' readings about the black skin color.
publisher Portal de Periódicos Eletrônicos da UFRN
publishDate 2019
url https://periodicos.ufrn.br/gelne/article/view/15808
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