The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano

The present article seeks to discuss an inversion of the language axiom, breaking with the idea that referential language would be a universal tenet in which poetic language would fit as a special case. In this perspective, poetic language will not be taken as a privileged language, but as a faculty...

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Principais autores: Miranda, Heloisa Ribeiro, Rocha, Célia Maria Domingues da, Pereira, Vinicius Carvalho
Formato: Online
Idioma:por
Publicado em: UFRN
Endereço do item:https://periodicos.ufrn.br/odisseia/article/view/14748
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spelling oai:periodicos.ufrn.br:article-147482019-06-05T23:44:09Z The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano O poético como traço imanente ao processo de subjetivação na escritura de Eduardo Galeano Miranda, Heloisa Ribeiro Rocha, Célia Maria Domingues da Pereira, Vinicius Carvalho Language Poetic Unfamiliarity Semiology Linguagem Poético Estranhamento Semiologia The present article seeks to discuss an inversion of the language axiom, breaking with the idea that referential language would be a universal tenet in which poetic language would fit as a special case. In this perspective, poetic language will not be taken as a privileged language, but as a faculty born with the subject. As an immanent trait of the subject, we argue that unfamiliarity, proposed by Chklovski as a technique that makes the singularization of the image, can be understood as the manifestation of the unconscious and the return, even if momentary, of the subject to his poetic stage. To do so, we will take as a starting point the semiological analysis of Uruguayan Eduardo Galeano’s text Pájaros prohibidos, found in Memoria del fuego III (2013), in dialogue with literary theory and some psychoanalytical assumptions O presente artigo busca discutir uma inversão do axioma da linguagem, rompendo com a ideia de que a linguagem referencial seria um universal em que a linguagem poética se encaixaria como um caso especial. Nessa perspectiva, a linguagem poética não será tomada como uma linguagem privilegiada, mas será percebida como uma faculdade que nasce com o sujeito. Sendo o um traço imanente ao sujeito, defendemos que o estranhamento, proposto por Chklovski como técnica que fabrica a singularização da imagem, pode ser compreendido como a manifestação do inconsciente e o retorno, mesmo que momentâneo, do sujeito ao seu estágio poético. Para tanto, tomaremos como ponto de partida da análise semiológica do texto do uruguaio Eduardo Galeano, com o texto Pájaros proibidos, retirado da obra Memoria del fuego III (2013), em diálogo com a teoria da literatura e alguns pressupostos psicanalíticos. UFRN 2018-11-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/14748 Odisseia; Vol. 3 No. 2 (2018); p. 67 - 87 Revue Odisseia; Vol. 3 No. 2 (2018); p. 67 - 87 Revista Odisseia; v. 3 n. 2 (2018); p. 67 - 87 1983-2435 10.21680/1983-2435.2018v3n2 por https://periodicos.ufrn.br/odisseia/article/view/14748/10796 Copyright (c) 2018 Revista Odisseia
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Miranda, Heloisa Ribeiro
Rocha, Célia Maria Domingues da
Pereira, Vinicius Carvalho
spellingShingle Miranda, Heloisa Ribeiro
Rocha, Célia Maria Domingues da
Pereira, Vinicius Carvalho
The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano
author_facet Miranda, Heloisa Ribeiro
Rocha, Célia Maria Domingues da
Pereira, Vinicius Carvalho
author_sort Miranda, Heloisa Ribeiro
title The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano
title_short The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano
title_full The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano
title_fullStr The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano
title_full_unstemmed The poetic as a trace immanent to the process of subjectivation in the writing of Eduardo Galeano
title_sort poetic as a trace immanent to the process of subjectivation in the writing of eduardo galeano
description The present article seeks to discuss an inversion of the language axiom, breaking with the idea that referential language would be a universal tenet in which poetic language would fit as a special case. In this perspective, poetic language will not be taken as a privileged language, but as a faculty born with the subject. As an immanent trait of the subject, we argue that unfamiliarity, proposed by Chklovski as a technique that makes the singularization of the image, can be understood as the manifestation of the unconscious and the return, even if momentary, of the subject to his poetic stage. To do so, we will take as a starting point the semiological analysis of Uruguayan Eduardo Galeano’s text Pájaros prohibidos, found in Memoria del fuego III (2013), in dialogue with literary theory and some psychoanalytical assumptions
publisher UFRN
publishDate 2018
url https://periodicos.ufrn.br/odisseia/article/view/14748
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