The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture
The production, the system and the circuits of the arts are not what they used to be a few decades ago. The tangle of the field of the arts, which includes not only its already heterogeneous production, but also all its exhibition, reception and market networks, has become densely complex. Therefore...
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oai:periodicos.ufrn.br:article-120482021-09-19T23:46:20Z The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture A condição inter e transdisciplinar da arte na cultura contemporânea Santaella Braga, Maria Lucia art culture production historicity Benjamin Arte Cultura Produção Historicidade Walter Benjamin The production, the system and the circuits of the arts are not what they used to be a few decades ago. The tangle of the field of the arts, which includes not only its already heterogeneous production, but also all its exhibition, reception and market networks, has become densely complex. Therefore, before demonizing what many call the cacophony of the arts, one must consider the conjunctures of their historicity, the heterogeneity of the roles of their insertion in the contradictory, paradoxical, and conflicting socio-cultural environments of our time. In the midst of the whirlwind of artistic production and circulation in contemporary times, this article seeks its foundations in Benjamin's conception of the artist as a producer, a conception that is only intelligible if we take into account, with Benjamin, the inalienable historicity of art as well. A produção, o sistema e os circuitos das artes não são mais o que costumavam ser há poucas décadas. O emaranhado do campo das artes, que inclui não apenas sua produção já heteróclita, mas também todas as suas redes de exposição, recepção e mercado, tornou-se densamente complexo. Portanto, antes de demonizar o que muitos chamam de cacofonia das artes, é preciso considerar as conjunturas de sua historicidade, a heterogeneidade dos papeis de sua inserção nos ambientes socioculturais contraditórios, paradoxais e conflituosos do nosso tempo. Em meio ao turbilhão da produção e circulação artística na contemporaneidade, este artigo busca seus fundamentos na concepção benjaminiana do artista como produtor, uma concepção que só é inteligível se levarmos em consideração, ainda com Benjamin, a historicidade inalienável da arte. ABRACE / ANDA / ANPAP / ANPPOM 2017-08-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/12048 Art Research Journal: Revista de Pesquisa em Artes; Vol. 4 No. 1 (2017): Multidisciplinary Perspectives in the Field of Art | Articles; 48-58 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 4 n. 1 (2017): Perspectivas Multidisciplinares no Campo da Arte | Artigos; 48-58 2357-9978 10.36025/arj.v4i1 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/12048/8699 https://periodicos.ufrn.br/artresearchjournal/article/view/12048/8707 Copyright (c) 2017 Maria Lucia Santaella Braga |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
por eng |
| format |
Online |
| author |
Santaella Braga, Maria Lucia |
| spellingShingle |
Santaella Braga, Maria Lucia The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture |
| author_facet |
Santaella Braga, Maria Lucia |
| author_sort |
Santaella Braga, Maria Lucia |
| title |
The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture |
| title_short |
The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture |
| title_full |
The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture |
| title_fullStr |
The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture |
| title_full_unstemmed |
The Inter- and Trans-disciplinary Condition of Art in Contemporary Culture |
| title_sort |
inter- and trans-disciplinary condition of art in contemporary culture |
| description |
The production, the system and the circuits of the arts are not what they used to be a few decades ago. The tangle of the field of the arts, which includes not only its already heterogeneous production, but also all its exhibition, reception and market networks, has become densely complex. Therefore, before demonizing what many call the cacophony of the arts, one must consider the conjunctures of their historicity, the heterogeneity of the roles of their insertion in the contradictory, paradoxical, and conflicting socio-cultural environments of our time. In the midst of the whirlwind of artistic production and circulation in contemporary times, this article seeks its foundations in Benjamin's conception of the artist as a producer, a conception that is only intelligible if we take into account, with Benjamin, the inalienable historicity of art as well. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2017 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/12048 |
| work_keys_str_mv |
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| _version_ |
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