The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated

The article discusses the gesture of the contemporary viewer's gaze in the light of discussions about the real in its unstable relationship with artifice. There is a criticism of the look that crosses the history of Western theater to the present day, proposing aesthetic outputs or solutions to...

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Autor principal: Ribeiro, Martha de Mello
Formato: Online
Idioma:por
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/11998
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spelling oai:periodicos.ufrn.br:article-119982021-09-28T19:32:02Z The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated O gesto do olhar do espectador contemporâneo: nem santo nem bode, emancipado Ribeiro, Martha de Mello Gesture of the look Saint spectator Emancipated spectator Gesto do olhar Espectador-santo Espectador emancipado The article discusses the gesture of the contemporary viewer's gaze in the light of discussions about the real in its unstable relationship with artifice. There is a criticism of the look that crosses the history of Western theater to the present day, proposing aesthetic outputs or solutions to a crisis that is currently thickening, especially from the studies of philosophers J. Baudrillard and A. Badiou. As the very distinction between reality and representation is lost, the spectator inserted in the core of the problem becomes the target of pressure, being questioned in his position, polarized between “saint” or “goat”. Together with Rancière, we seek to demystify the belief of the passive spectator in order to find the emancipated spectator. O artigo problematiza o gesto do olhar do espectador contemporâneo à luz das discussões sobre o real em sua relação instável com o artifício. Observa-se uma critica ao olhar que atravessa a história do teatro ocidental até os dias de hoje, propondo saídas ou soluções estéticas para uma crise que se adensa na atualidade, especialmente a partir dos estudos dos filósofos J. Baudrillard e A. Badiou. Na medida em que a própria distinção entre realidade e representação se perde, o espectador inserido no núcleo do problema se torna alvo de pressões, sendo questionado em sua posição, polarizado entre “santo” ou “bode”. Junto a Rancière buscamos desmitificar a crença do espectador passivo para encontrar o espectador emancipado.   ABRACE / ANDA / ANPAP / ANPPOM 2018-04-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/11998 Art Research Journal: Revista de Pesquisa em Artes; Vol. 4 No. 2 (2017): Multidisciplinary Perspectives in the Field of Art | Articles; 067-077 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 4 n. 2 (2017): Perspectivas Multidisciplinares no Campo da Arte | Artigos; 067-077 2357-9978 10.36025/arj.v4i2 por https://periodicos.ufrn.br/artresearchjournal/article/view/11998/9315 Copyright (c) 2018 Martha de Mello Ribeiro
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Ribeiro, Martha de Mello
spellingShingle Ribeiro, Martha de Mello
The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
author_facet Ribeiro, Martha de Mello
author_sort Ribeiro, Martha de Mello
title The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
title_short The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
title_full The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
title_fullStr The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
title_full_unstemmed The gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
title_sort gesture of the contemporary viewer's gaze: neither saint nor goat, emancipated
description The article discusses the gesture of the contemporary viewer's gaze in the light of discussions about the real in its unstable relationship with artifice. There is a criticism of the look that crosses the history of Western theater to the present day, proposing aesthetic outputs or solutions to a crisis that is currently thickening, especially from the studies of philosophers J. Baudrillard and A. Badiou. As the very distinction between reality and representation is lost, the spectator inserted in the core of the problem becomes the target of pressure, being questioned in his position, polarized between “saint” or “goat”. Together with Rancière, we seek to demystify the belief of the passive spectator in order to find the emancipated spectator.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2018
url https://periodicos.ufrn.br/artresearchjournal/article/view/11998
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