Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]

Writing is a central activity in dance anthropology, but it is neither neutral nor innocent. The movement presents challenges in transferring it to paper, and exposes the anthropologist to ethnocentric risks. How can she overcome the categorization mechanisms that have constructed one's knowled...

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Autor principal: Lassibille, Mahalia
Formato: Online
Idioma:por
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/10919
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spelling oai:periodicos.ufrn.br:article-109192020-10-05T21:59:50Z Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen] Escrever “a dança” em antropologia: a violência da pesquisa na ponta da caneta Lassibille, Mahalia Dance anthropology writing notation ethnography Peuls Wodaabe Niger Antropologia da dança escrita notação etnografia Peuls WoDaaBe Níger Writing is a central activity in dance anthropology, but it is neither neutral nor innocent. The movement presents challenges in transferring it to paper, and exposes the anthropologist to ethnocentric risks. How can she overcome the categorization mechanisms that have constructed one's knowledge and tend to guide one's gaze? How can he account for practices and use graphical forms that transform the studied content? The act of "writing dance" presupposes an inevitable part of violence in what? To address these different aspects, an angle of reflection will be developed from questions raised during writing about the dances of the Wodaabe, a Fulani subgroup in Niger. The challenge is to associate the problems of writing in dance and in anthropology, and to think about the relationships between the questions posed and the tools used, the movement and the sign, and the researcher and the agents. Escrever é uma atividade central em antropologia da dança, mas não é um ato neutro nem inocente. O movimento apresenta desafios na transferência para o papel, e expõe o antropólogo aos riscos etnocêntricos. Como ele pode ultrapassar os mecanismos de categorização que construíram seu conhecimento e tendem a orientar seu olhar? Como ele pode dar conta de práticas e usar formas gráficas que transformam o conteúdo estudado? Em que o ato de “escrever a dança” pressupõe uma parte inevitável de violência? Para abordar estes diferentes aspectos, um ângulo de reflexão será desenvolvido a partir de questões levantadas durante a escrita sobre as danças dos Peuls WoDaaBe do Níger. O desafio é associar as problemáticas da escrita na dança e na antropologia, e pensar as relações entre a questão colocada e as ferramentas utilizadas, o movimento e o signo, o pesquisador e os agentes.Tradução para o português: Joana Ribeiro da Silva Tavares e Marito Olsson-Forsberg ABRACE / ANDA / ANPAP / ANPPOM 2016-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Invited Essays application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/10919 Art Research Journal: Revista de Pesquisa em Artes; Vol. 3 No. 2 (2016): Dance, art of the body, and other bodies of arts; 27-43 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 3 n. 2 (2016): Dança, arte do corpo e outros corpos das artes; 27-43 2357-9978 10.36025/arj.v3i2 por https://periodicos.ufrn.br/artresearchjournal/article/view/10919/7797 Copyright (c) 2016 Mahalia Lassibille
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Lassibille, Mahalia
spellingShingle Lassibille, Mahalia
Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]
author_facet Lassibille, Mahalia
author_sort Lassibille, Mahalia
title Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]
title_short Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]
title_full Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]
title_fullStr Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]
title_full_unstemmed Ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [Writing "Dance" in Anthropology: Research Violence at the Tip of the Pen]
title_sort ecrire “la danse” en anthropologie: la violence de la recherche au bout du stylo [writing "dance" in anthropology: research violence at the tip of the pen]
description Writing is a central activity in dance anthropology, but it is neither neutral nor innocent. The movement presents challenges in transferring it to paper, and exposes the anthropologist to ethnocentric risks. How can she overcome the categorization mechanisms that have constructed one's knowledge and tend to guide one's gaze? How can he account for practices and use graphical forms that transform the studied content? The act of "writing dance" presupposes an inevitable part of violence in what? To address these different aspects, an angle of reflection will be developed from questions raised during writing about the dances of the Wodaabe, a Fulani subgroup in Niger. The challenge is to associate the problems of writing in dance and in anthropology, and to think about the relationships between the questions posed and the tools used, the movement and the sign, and the researcher and the agents.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2016
url https://periodicos.ufrn.br/artresearchjournal/article/view/10919
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