Resonance in dance: The art of blending bodies

In dance, “resonance” describes a shared sense of energy, rhythm, flow, and coherence. Choreographers and dancers seek resonance for the purposes of creating and performing dance. I theorize that resonance is a kind of human social cognition in the context of self-other matching, which is defined as...

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Autor principal: Warburton, Edward C.
Formato: Online
Idioma:por
eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/10755
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spelling oai:periodicos.ufrn.br:article-107552020-10-05T22:00:18Z Resonance in dance: The art of blending bodies Ressonância na dança: A arte de mesclar corpos Warburton, Edward C. Dance Cognition Self-other matching Conceptual blending Dança Cognição Correspondência eu-outro Mesclagem conceitual In dance, “resonance” describes a shared sense of energy, rhythm, flow, and coherence. Choreographers and dancers seek resonance for the purposes of creating and performing dance. I theorize that resonance is a kind of human social cognition in the context of self-other matching, which is defined as any phenomenon in which the observation of another’s behavior or state causes the observer’s behavior or state to become congruent with it. I review findings from cognitive and neuroscience to show that “resonance in dance” is a blend of feeling and knowing arising from somatomotor “reflexive” systems that prime more reflective processes like learning by imitation, perspective-taking, and empathy. I introduce the “embodied conceptual blending” hypothesis as a mechanism for dance resonating. I explore questions that arise about the role and function of resonance in dance and speculate on gender differences. Implications are discussed. Na dança, “ressonância” descreve um sentido compartilhado de energia, ritmo, fluência e coerência. Coreógrafos e dançarinos buscam ressonância para criar e dançar. Teorizo que a ressonância é um tipo de cognição social humana no contexto da correspondência eu-outro, definida como qualquer fenômeno no qual a observação do comportamento ou estado do outro leva o comportamento ou estado do observador a se tornar congruente com o primeiro. Realizo uma revisão dos achados da cognição e das neurociências para mostrar que “ressonância na dança” é uma mesclagem de sentimento e conhecimento que se originam dos sistemas “de reflexo” somatomotores que preparam processos mais reflexivos como a aprendizagem por imitação, a tomada de perspectiva e a empatia. Introduzo a hipótese da “mesclagem conceitual corporificada” como um mecanismo para ressonância na dança. Exploro questões que se originam sobre o papel e a função da ressonância na dança e discuto sobre questões de gênero e implicações.Tradução: Mônica Medeiros Ribeiro e Thais Torres Guimarães ABRACE / ANDA / ANPAP / ANPPOM 2016-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Invited Essays application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/10755 Art Research Journal: Revista de Pesquisa em Artes; Vol. 3 No. 2 (2016): Dance, art of the body, and other bodies of arts; 1-26 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 3 n. 2 (2016): Dança, arte do corpo e outros corpos das artes; 1-26 2357-9978 10.36025/arj.v3i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/10755/7796 https://periodicos.ufrn.br/artresearchjournal/article/view/10755/8272 Copyright (c) 2016 Edward C. Warburton
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
eng
format Online
author Warburton, Edward C.
spellingShingle Warburton, Edward C.
Resonance in dance: The art of blending bodies
author_facet Warburton, Edward C.
author_sort Warburton, Edward C.
title Resonance in dance: The art of blending bodies
title_short Resonance in dance: The art of blending bodies
title_full Resonance in dance: The art of blending bodies
title_fullStr Resonance in dance: The art of blending bodies
title_full_unstemmed Resonance in dance: The art of blending bodies
title_sort resonance in dance: the art of blending bodies
description In dance, “resonance” describes a shared sense of energy, rhythm, flow, and coherence. Choreographers and dancers seek resonance for the purposes of creating and performing dance. I theorize that resonance is a kind of human social cognition in the context of self-other matching, which is defined as any phenomenon in which the observation of another’s behavior or state causes the observer’s behavior or state to become congruent with it. I review findings from cognitive and neuroscience to show that “resonance in dance” is a blend of feeling and knowing arising from somatomotor “reflexive” systems that prime more reflective processes like learning by imitation, perspective-taking, and empathy. I introduce the “embodied conceptual blending” hypothesis as a mechanism for dance resonating. I explore questions that arise about the role and function of resonance in dance and speculate on gender differences. Implications are discussed.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2016
url https://periodicos.ufrn.br/artresearchjournal/article/view/10755
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